Yes, it’s good to remind ourselves of what’s making us happy every now & then, but that doesn’t mean we should ignore horrible shit. So here’s what is hopefully an occasional feature that highlights anything that is just the fucking worst.
The Filipino indie movie 2 Cool 2 Be Forgotten, the winner of Best Picture in Cinema One Originals 2016, is released in theaters & more people should watch it while they still can. It’s a provocative, bittersweet coming-of-age tale of first love set during the 90s in a post-eruption Pampanga about Felix, whose ordinary life is rocked with the arrival of Magnus & Maxim, his two new Filipino-American classmates. It is also an exploration of American imperialism in the Philippines, the diaspora caused by Mt. Pinatubo’s eruption, & broken families. It is all of these things, mixed together in a unforgettable brew, without forgetting that the heart of this story is a boy who falls in love with another boy, who may not love him back.
And MTRCB decided that it should get a rating of R-18 in cinemas. You can see the complete rating below, but it contains few spoilers.
It’s an infuraiting, disappointing result struck down by the Movie & Television Review & Classification Board (MTRCB) on Petersen Vargas’ excellent film debut written by Jason Paul Laxamana. In response, Petersen Vargas wrote a long, passionate Twitter thread that is worth reading in full:
Don’t get me wrong: 2 Cool 2 Be Forgotten has acts of sex & violence throughout the movie. But most of its run-time is dedicated to the main characters’ struggles. Of course, when the movie does veer into adult material, it does so with maturity & restraint. There’s not even a trace of full frontal nudity here!
But the main sticking point appears to be the fact that its supposed propagation of murder, which is a flabbergasting read of the movie. Without getting revealing much of the film’s plot, it doesn’t propagate murder. There’s not even a scene here that can top Logan in terms of gratuitous violence, a movie full of blood & gore, including a child named Laura rolls a decapitated head to her captors.
And yet somehow Logan got a rating of R-16, continuing the double standard that acts of brutal violence are more tolerable in our conservative Filipino society compared to any depictions of sex, from the tame to gratuitous, especially if it concerns those in the LGBTQ+ community.
But what’s infuriating about this decision is it severely limits the movie’s audience, and it’s not just because of the rating. R-18 movies are almost non-existent in the Philippines thanks to SM Cinema’s draconian rule of banning R-18 movies in their malls, due to its owners’ insistence of delivering clean entertainment for the whole family. The problem is SM Malls are the largest mall chain in the country, and it has more provincial cinemas compared to its competitors. In a country where the movie-going experience barely exists outside malls, it’s a huge handicap to producers wanting to deliver movies with mature content to a bigger audience. Local producers were less hesitant to make films that might get an R-16 rating & international distributors stopped delivering movies that might get an R-18 rating; except for notable exceptions like the Fifty Shades of Grey & Fifty Shades Darker. It created a cinematic ecosystem where family-friendly entertainment is valued more, which limits the kinds of movies people can watch. It’s a huge problem that the MTRCB made the R-16 rating just so movies containing adult material can get shown to a bigger audience.
Add to the fact that it’s a Filipino indie movie means its survival in theaters will be a steeper uphill climb, making it hard for the movie break out with the right audience.
And queer movies are more prone to receive harsher ratings, which is a huge shame. What Petersen Vargas wrote above making”every single boy whose confusions become their life sentence” less lonely is completely true. Not only that, these stories create diversity not just by representing an oft-maligned members of society, but also in the kinds of stories that can be told.
In the end, the losers here are not just creators who want to make risky, adult fare, but the audience losing out on a chance to watch it. The combination of MTRCB’s harsh, conservative ruling, SM Cinemas’ ban on R-18 movies, & theaters’ continued eagerness to pull out Filipino indie movies ensure that most Filipinos will live only on Hollywood blockbusters, romantic comedies, & the latest movies from Vic Sotto, Vice Ganda, & Mother Lily who excuse their mediocre output by saying it’s great for the whole family. That’s not good for the country’s artistic & cultural growth in the long run.
And that’s just the fucking worst.