Pista ng Pelikulang Pilipino 2017: 100 Tula Para Kay Stella is a Messy & Heartbreaking Journey Worth Taking

TL;DR At its best, 100 Tula Para Kay Stella (100 Poems for Stella) is a sprawling, heartbreaking movie that captures the messiness of life by being messy itself.

Realizing you’ve fallen in love with someone for the first time can fill you with equal amounts of dread & joy. Suddenly, the world opens up to you, your head full of endless possibilities. But you only have two options on how to proceed: reveal your feelings at the risk of getting rejected or stay silent to retain the status quo.

Fidel (JC Santos) finds himself in a similar position. He’s a freshman college student who loves to write poetry & studies BS Psychology in Pampanga during 2004. He’s a stutterer; he can only speak normally if he’s reading the words as he talks, sings, or uses only three words when he talks. Due to a mishap during Freshies Night that caused him to have a ketchup stain on his pants, he decides to stay out of the event. That is until an aspiring rock star named Stella (Bela Padilla) approaches him & loans her jacket to cover up his stain. Their friendship begins, with Fidel slowly falling in love with Stella due to her kindness & confidence. She becomes his muse for his poetry, & he decides to give her all of the poems as a declaration of his love for her. However, Stella has a boyfriend, so he decides to withhold his plans & continue writing about her. Soon, their lives will take numerous turns, with Fidel moving to Manila to continue his studies, while Stella doing everything she can to become a successful musician.

100TulaParaKayStellaCrushed

Both of them will meet new people, learn new things about themselves, & their relationships with others will improve & deteriorate. The movie leans on this aspect, creating a sprawling, intimate epic where our current situation, wrong timing, missed opportunities, & events beyond our control hamper our ability to achieve what we want in life, how it affects the way we perceive others & what happens when it’s out of reach.

It’s even one of the few period pieces set during the last decade, using it to explore the decade’s Pinoy music scene through Stella’s dreams of becoming a famous rock star. It’s a time where there was a boom in OPM (Original Pinoy Music), thanks to the continued popularity of Kitchie Nadal & Rivermaya, the rise of new bands like Itchyworms, & the success of novelty acts like Masculados & Sexbomb Girls.

And there are also the poems Fidel writes for Stella, which the movie uses to track Fidel’s writing ability & how his feelings for Stella continue to grow, even if how he views her doesn’t match the actual reality. There’s always a risk in showing someone’s creative work in film, since the audience has to believe what the movie thinks of a character’s work of art. Thankfully, the movie starts with Fidel writing terrible poems & the movie is aware of its quality. Throughout the movie, we see his poems start getting better, & while none of them are excellent, they do turn into something good.

100TulaParaKayStellaExamResult

It amounts to an ambitious, bittersweet movie about growing up & at its best moments, it succeeds in capturing the messiness of life by being messy & overstuffed itself.  At its worst, the plot & the characters are undercooked, since it’s rushing to tell its ginormous plot; especially during its third act. Even at two hours, one wishes the movie had time to breathe, since it takes shortcuts by telling us what happened, instead of showing it to us. It also could’ve used more time to explore Fidel’s Nice Guy behavior, like berating Stella for ignoring her studies for band practice – which has her boyfriend as one of its members – when it’s clear it’s partly self-motivated.

Still, the movie is anchored by great performances from JC Santos & Bela Padilla, who hold the whole movie together. JC Santos is endearing & charismatic as Fidel, & he softens Fidel’s Nice Guy behavior; often to a fault. The real standout is Bela Padilla, who plays Stella as a tough, confident, frustrated woman weighed down by her family & dreams, & she gives life to her victories & failures fully. It’s easier to see both of them as friends compared to an actual couple, but that is part of the point.

In the end, 100 Tula Para Kay Stella (100 Poems for Stella) falls short from its ambitions, but it’s hard to look away from the long-winding journey both characters take. It may have started because a man fell in love with a woman, but it expands to reveal the sadness at its very core. Because no matter how you feel about someone, it doesn’t always work out the way you want. And as the movie posits, that’s fine.

100TulaParaKayStellaMountain

Advertisements

Pista ng Pelikulang Pilipino 2017: Paglipay Proves Hugot Can Improve an Already Impressive Movie

TL;DR Paglipay (Crossing) is a perceptive tale about the lives of Aetas in Zambales & caught between tradition & modernity, spiced up with the addition of hugot.

Hugot in Filipino romantic movies has come a long way. By focusing on sober, observant depictions of heartbreak & longing – often sprinkled with a heavy dose of Filipino wit – it created a novel way to tell love stories. But what was once new is now a huge part of the Filipino cinema.

It’s not a bad thing. That’s just the way it goes. There are still great movies powered by hugot, like this year’s I’m Drunk, I Love You, but the distinct spark it gave off is now gone. It has become formulaic, & it doesn’t help some movies use it as a crutch to cover up a movie’s lack of emotional complexity.

However, Paglipay (Crossing) is here to reignite that spark. It’s not your ordinary hugot film, confirming you can push this genre forward to unexpected places.

paglipayCountryside

Specifically in the mountains of Zambales, where groups of Aetas live out ordinary lives. They are an indigenous group scattered across Luzon. The Aetas’ main source of livelihood was farming, but all of this changed thanks to the eruption of Mt. Pinatubo in 1991. It spewed out huge amounts of lahar, heavy volcanic debris flow that covered nearby lands, bringing utter destruction in the nearby houses & buildings. It was the cause of reported deaths of 847 people & displaced numerous locals from their homes. It also turned the fields infertile, since it becomes too hot when it’s sunny & muddy when it’s wet. Nowadays, Aetas have moved from their original homes, either choosing to farm in the mountains, work in neighboring mines, or working on a nearby town.

One of those Aetas is Atan (Garry Cabalic), a young man helping his father as a slash-and-burn farmer in the mountains. When he is seen hanging out with his childhood friend Ani (Joan dela Cruz), his father urges him to marry her, so shame wouldn’t be brought upon Ani & her family. To do this, he has to come up with a dowry of 20,000 pesos, so he decides to travel to a nearby town & earn money. That’s when he meets Rain (Anna Luna), a college student studying “pilaok,” mixed marriages between “kulot” (Aetas) & “unat” (urban folk). Atan guides Rain in her project, & slowly finds himself falling for her. But Rain has problems of her own, as her relationship with her boyfriend becoming rockier.

Atan finds himself conflicted between the heavily traditional Aeta culture & modern society, & the movie treats both with nuance. It delves on the lives of Aetas deeply, showing us their ordinary lives with utmost detail. The exposition rarely gets clunky, since it opts for a more observational tone. We are just seeing their life unfold through our eyes. The gorgeous visuals add a lot to deepen our understanding of the setting. Even better is it doesn’t become too reverent in its depiction of Aetas. Earning money is a struggle, climate change is making it harder to farm, & the heavy focus on tradition can be constricting; especially for women, who couldn’t even choose the person they want to marry. This is heavily contrasted with the intoxicating freedom of modern Filipino society, where gender roles aren’t as rigid. But that freedom can foster messiness, as shown in Rain’s romantic issues.

paglipaySunrise

It’s a fascinating exploration of the clash between two cultures, and it’s within this narrative where hugot is seamlessly integrated. The hugot comes from Rain’s agony over her boyfriend & Atan’s longing for Rain. There’s even Rain’s wacky best friend played by Marinella Sevidal. It improves Atan’s dilemma of choosing between your own cultural identity & its comforts for a more open yet chaotic way of life. It turns the hugot into something more complex & weighty, where the consequences isn’t just moving on from heartbreak & finding someone else to be with, but the kind of person you are going to be.

Casting Aetas is the obvious thing to do when producing a movie like this & they found talented actors to handle this material. Garry Cabalic captures Atan’s confusion & exhilaration of encountering loving someone different than you for the first time. Joan dela Cruz’s role as Ani has little screen time, but makes the most of what she’s given. Anna Luna’s role as Rain sells the emotional pain her character is going through. Marinella Sevidal plays the typical, supportive best friend, but she nails the role perfectly.

Paglipay is already an excellent observant tale about an Aeta caught between two worlds. But by adding hugot in the mix, it becomes a melancholic, heartbreaking movie. If we’re going to be stuck with hugot, we might as well get movies that expand what this burgeoning genre can do.

paglipayHoldingHands

Pista ng Pelikulang Pilipino 2017: Down Syndrome is Tackled with Grace in the Heartwarming Star na si Van Damme Stallone

TL;DR While it gets too sweet & aspirational by the third act, Star na si Van Damme Stallone is a funny, heartwarming movie that handles Down Syndrome with the levity & subtlety it deserves.

Down syndrome is a condition misunderstood by majority of the public. People who have Down syndrome are mostly mocked or ostracized by society. It doesn’t help that representation for people with Down syndrome is mostly nil.

Star na si Van Damme Stallone (Van Damme Stallone is Now a Star) proves it shouldn’t be that way. This is an excellent movie that gives people with Down syndrome & their families a chance in the spotlight, & have their stories told.

starNaSiVanDammeStalloneBrother

Nadia (Candy Pangilinan) is a single parent who has to make ends meet to raise her two children Tano & Van Damme Stallone (who is given the nickname Vanvan), the latter of which has Down syndrome. The movie follows the family’s struggles & victories, as Nadia guides her children to adulthood, while Vanvan tries to achieve his dream to be an actor.

The best thing about the movie is it takes pains in showing how hard it can be to raise a child with Down syndrome without sugarcoating or overplaying the struggle or fears of every parent & family member. It focuses on the small, intimate moments, like Nadia worrying about your Vanvan’s future, Tano letting Vanvan get the lead role in a play, or the family defending Vanvan from bullies. It’s not afraid to go dark either, with one of the movie’s memorable moments involve Nadia doing something horrible to escape her life, but backing away at the last moment, quickly apologizing to Vanvan. It already knows that taking care of someone with Down syndrome is compelling enough on its own.

starNaSiVanDammeStalloneCranes

Although this movie isn’t as dour as it sounds. This is a sweet & hilarious movie, & is better for it. Vanvan is surrounded by people who love & support him outside their main family, like his grade school teacher & her mother’s best friend Cecille (Sarah Brakensiek) & his uncle Jim (Richard Noson). It is partly aspirational, but it never loses its unsparing, realistic approach. There are jokes, but none are there to make Vanvan the butt of it. It makes for a charming movie, even as it deals with a topic like Down syndrome.

More importantly, Vanvan is depicted as an actual human. He’s not a never-ending obstacle for his family, a prop to emphasize how good his family is, nor an unlimited supply of goodness. Vanvan has wants, needs, strengths & flaws. The movie even indulges in bits of whimsy, taking us into Vanvan’s mind in an effort to show us who he is.

starNaSiVanDammeStalloneAction

It helps that the actors they chose to play Vanvan are excellent; both of which have Down syndrome as well. Jadford Dilanco & Paolo Pingol play young & old Van Damme respectively, & they both capture his playful, childlike innocence & his pricklier side. But the most surprising & outstanding performance has to be from Candy Pangilinan. She shows us the internal struggle of a single parent with a subtle, nuanced performance. It’s not showy, but it fits the movie’s mood & story.

The movie does get too sweet & indulge in unearned wish fulfillment by the third act. It tries its best to give everyone a happy ending, one of which involves a cameo appearance from Jasmine Curtis-Smith. It doesn’t matter, since it’s still absorbing by the end. Besides, Star na si Van Damme Stallone is the kind of sincere, good-natured family movie that rarely gets made anymore & it tackles the subject of Down syndrome with the delicate touch it deserves.

Pista ng Pelikulang Pilipino 2017: Ang Manananggal sa Unit 23B is an Excellent Horror Rom-Com You Shouldn’t Miss

TL;DR By combining a grounded romantic comedy with its own take on the manananggal mythos, Ang Manananggal sa Unit 23B is an ambitious, intoxicating movie you shouldn’t miss.

Jewel (Ryza Cenon) is a lonely woman living by herself in an apartment. The closest thing she has to a friend is a pet turtle she calls Edward. One day, a man named Nico (Martin del Rosario) moves in at one of the units with his grandmother (Vangie Labalan). Both of them strike up a friendship that blossoms into something more.

But there’s a problem: Jewel is a manananggal, a vampire-like mythical creature in the Philippines, who haunts the night by splitting herself in half, leaving her torso behind to fly away & devour unborn fetuses from pregnant women or the hearts of unlucky humans. The movie’s unique spin on this iconic monster is she can walk among humans & has no control of her appetite. When it hits, she will undergo immense pain, & can only curb it temporarily by rubbing a special oil on her belly. Then, she will lurk night clubs looking for potential victims, lure them into having sex, kill her victim, & gorge on their remains to satisfy her hunger. To make sure no one suspects anything wrong, she leaves behind a piece of cardboard with this text written on it: “Wag tularan. Pusher ako” (Don’t imitate me. I’m a drug pusher.)

angManananggalUnit23BRyza

You can already tell Ang Manananggal sa Unit 23B (The Manananggal in Unit 23B) has lots on its mind just by reading the previous paragraphs. It delves in the ways female sexuality is feared & suppressed, & how Duterte’s drug war has allowed for malevolent forces to exploit broken systems for their own gains. The movie’s political & feminist subtext makes it thematically richer & surprisingly relevant.

Sure, it looks like a bunch of ideas thrown together, but it works thanks to the love story at its core. This is Prime Cruz & Jen Chuansu’s most ambitious effort to date, where their knack for crafting relatable characters engaging in amusing conversations is mixed horror with a sociopolitical bent. While Martin del Rosario & Ryza Cenon’s chemistry isn’t as strong as it should be, it doesn’t fall apart because they’re both have charming & the writing never fails them. Ryza Cenon is the absolute standout, revealing the multiple facets of Jewel’s personality & being with ease. They’re even backed up by the great Vangie Labalan, who makes the role of the eager, supportive grandmother endearing & funny instead of annoying.

angManananggalUnit23BRyzaAndMartin

It also helps the movie sells the realities between Jewel’s double life, thanks to the top-notch production design, cinematography & musical choices. The veneer of normalcy is presented during the day, with drab greys highlighting the loneliness between the characters. Nico’s unit is a clean, organized, middle class home. Jewel’s unit has more ornate furnishings, but it still looks like an ordinary unit. But this movie, just like Jewel, comes out at night. That veneer is removed during the dark, giving way to stark, often neon-filled lighting that invites us to a world of mystery & terror that’s beyond us. Even Jewel’s unit reflects this, with neon red & green lights flooding the room, emphasizing Jewel’s duality. Since this is another Prime Cruz movie, the soundtrack & synth-heavy score is aces. It is evocative, memorable, & captures the isolation & danger the characters are caught in.

angManananggalUnit23BMartin

The current cut we’re getting for Pista ng Pelikulang Pilipino is different from the one delivered in the QCinema Film Festival 2016. Nico’s arc is kept to a bare minimum, almost removing any traces of his struggles as a man who stopped fighting his own battles, literally & metaphorically. While it does make for a leaner movie that ramps up its central tension quicker than before, Nico turns into a flatter character & his actions in the movie’s 2nd half lose some of its weight.

Even if that were the case, it doesn’t detract from the movie’s merits. Prime Cruz’s 2nd effort was, & still is a masterful blend of romantic comedy & horror, elevated by its ideas on female sexuality & the current political climate, wrapped in a charming package.

 

Pista ng Pelikulang Pilipino 2017: Birdshot Lives Up to Its Moniker as a Coming-of-Age Thriller

TL;DR This “coming-of-age” thriller can be slow & awkward at times, but this is a movie that lives up to its moniker. Definitely one of the best Filipino movies of 2017.

Birdshot is one of the more atypical entries in Pista ng Pelikulang Pilipino 2017. It is billed as a “coming-of-age thriller” & it mostly delivers on that promise. It is a unique movie that combines two genres seemingly at odds with each other, yet it comes out fully-formed, creating an unforgettable experience.

It tells the tale of Maya (Mary Joy Apostol in her debut role), a young girl taken care of by her father Diego (Ku Aquino). They are poor & surrounded by fields of wheat, since they live on a land his father is taking care of. Diego wants his daughter to learn how to hunt so she could take care of herself when he’s gone. Maya unwittingly enters a sanctuary for the endangered Philippine eagle – Philippines’ national bird & the rarest eagle in existence – and decides to shoot one for practice. Her father isn’t happy about what she did, since killing one is a criminal offense. Now they both have to hide the crime to the police & try to keep their family intact.

It is also about Domingo (Arnold Reyes), an idealistic rookie cop with a strict moral conduct working hard for his family. He is partnered with Mendoza (John Arcilla), a corrupt cop who knows his way around the crooked system he works for. Both of them are investigating a missing persons case involving a group of passengers departing to Manila. Domingo is intent on solving the case, but is forced to drop it in order to solve the disappearance of a missing Philippine eagle. Mendoza wants him to focus on the new case, but Domingo wouldn’t listen, especially once he finds out that the passengers include a group of farmers who are going to reclaim a land that is rightfully theirs.

birdshotArnold

These two stories dovetail to create a tale of corruption, conspiracy & survival in a world where institutions created to help everyone are controlled by the rich & powerful, leaving those who are defenseless to fend off for themselves. The result is a society built on a cruel food chain, where the weakest are left behind to suffer or worse.

And this is the world Maya & Domingo where they will undergo a rite of passage, forcing them to chose between doing the right thing or staying alive. The genre mashup takes a while to gel together, since it takes up lots of time to setting up its milieu. It doesn’t help the movie focuses too much on the “thriller” aspect of the story, which means there aren’t as many character interactions that would’ve made the movie land harder than it should’ve.

birdshotHaribon

That coldness even shows in the performances, which comes off as stiff at times, but the cast rises above it. Mary Joy Apostol is outstanding as a young girl forced to fight back for her survival. Ku Aquino is great as Maya’s stern & protective father who tries his best to shield her daughter in the world they live in. Arnold Reyes portrays Domingo as a man going through huge lengths to maintain his ideals & realizing it will cost him dearly. John Arcilla is often hilarious as a cop who’s finally settled into his role in this brutal ecosystem.

And yet, it pays off immensely in the 2nd half, where the two plots entangle further & the boiling tension ratchets up until it is unleashed to the audience. This is only Mikhail Red’s 2nd film & it fulfills the promise he showed in his debut Rekorder.  Fusing the tale of a young girl growing into a woman & a rookie cop who’s way out of his league within the framework of a thriller is pure genius. He exhibits a total control of mood & expertise in the technical aspects of filmmaking & it shows on every frame of the film.

birdshotSunrise

It helps that he’s backed by the great cinematographer Mycko David. Birdshot is filled of beautiful images, mostly isolating the characters in environments that engulf them completely, or using close-ups to trap them in the situation they currently in. The best examples of this often occur at night, where people would be swallowed by the darkness if not for a few sources of light available to them or shadows cast across their faces; emphasizing how they are a breath away from being subsumed by forces beyond their control.

That is a feeling familiar to most Filipinos & Birdshot captures it fully. It may not be totally successful, but the results are captivating & exhilarating, while emphasizing the cruel reality at its center.

Can We Still Be Friends? is Not The Movie Its Title Makes It Out To Be

TL;DR: The title may be misleading, but this is a charming romantic comedy honed in on the specific struggles of long-term relationship.

It really doesn’t.

This movie doesn’t tackle the hotly debated question in its title. Rather, it uses that idea to examine a relationship at a crossroads.

Digs & Sam, both played by Gerald Anderson & Arci Muñoz respectively, have been together for eight years, living in a condo unit together both of them are still paying for. Sam is an ambitious, hardworking creative getting passed over for promotions. She mostly takes care of her boyfriend Digs, an illustrator who often freelances. He’s a charming, irresponsible slacker who doesn’t even clean up their condo. Sam wants Digs to be more responsible by doing his fair share of house work, help her pay the bills more often, go on exciting dates, propose to her, & refill empty pitchers with water while Digs wants to maintain their seemingly idyllic life. They both love each other, as their playful banter & Digs’ ability to defuse the simmering tension between them shows, but they are reaching a breaking point. Both of them finally snap & decide to end their relationship.

Digs is supposed to stay at his friend’s house, but when Sam offered him to stay in the condo out of courtesy – since they both own the condo unit – he took her up on her offer. Not only that, both of them decided they should be friends, creating one of the most awkward living situations in Filipino cinema.

And this movie milks the awkwardness for every last drop. Both of them try their best to be friendly with each other, even if the wounds from their break up are still fresh. It doesn’t help that Sam clearly loves Digs but can’t put up with his immaturity, while Digs is hoping for an easy reconciliation. It’s how they end up ogling at each other when working out at their condo & going on awkward Tinder dates.

The movie might sound farcical, but it’s the exact opposite. It’s a grounded tale that asks what happens when one person in a relationship changes & one doesn’t, whether we can be patient enough to wait for our partner to overcome his/her shortcomings & if love is enough to solve these issues. This is one of Star Cinema’s toned down efforts. It is more attuned to the specifics of their relationship, where every interaction is the result of the years they’ve been together with all of the baggage it carries. This means it could focus on the messy emotions onscreen.

In fact, this feels more like a Prime Cruz movie with a Star Cinema budget. There’s the heavy focus on urban life, cramped living spaces & the alienation that’s packaged with the former – this time heightened by an ineffectual partner & the subsequent breakup – scored with a spare synth reminiscent of BP Valenzuela – who scored Cruz’s debut Sleepless – that’s atypical of Star Cinema. His movies are always gorgeous & emphasize the spaces between the characters & the environment, but it gets a step up with his move to a major studio, making it his sleekest film visually. One of the best scenes in the movie highlight these qualities, where Sam is suddenly a part of marriage proposal & she tries to dance away her loneliness.

And he’s blessed with actors who can pull off the material with ease. Gerald Anderson has the boy-next-door charm that can make the audience overlook Digs’ flaws, but he’s capable of carrying a dramatic scene when needed. Arci Muñoz has the meatier role & she’s completely astounding in it. She’s captures the confidence, longing & sadness of her character without betraying what makes it tick, & can make you laugh with a simple facial expression. And the chemistry they have together can warm up the coldest of hearts, which the movie exploits, since they don’t spend majority of the movie as a couple. It makes us want to root for them even more.

But it’s not without its hiccups. It has the typical third act problems Star Cinemas usually have when its movies are forced to come up with a happy ending. This movie mostly avoids these flaws without betraying the movie’s themes by sticking its focus on the characters, yet it’s still rushed, skipping a few beats in order to get them back together.

However, it doesn’t tarnish the movie at all. It’s a small flaw in one of the best movies released by Star Cinema in recent years, & another excellent movie from Prime Cruz. It may not answer whether exes can be friends, but it takes something relatable & cringy & uses it as a springboard for something specific & real, with a more than capable couple at the center. It’s not the movie we expected, but it is better for it.

A Silent Voice Probes the Effects of Teenage Bullying Briskly with Mixed Results

TL;DR: While it may provide insightful commentary on the effects of teenage bullying, the amount of plot it has to unspool somewhat undercuts its intentions.

The latest anime movie to reach Philippine shores isn’t the straightforward romantic melodrama its local poster suggests. This is a movie attuned to the complexities of teenage friendships, the effects of bullying, & the struggles of the hearing impaired. It may not be the adorable tearjerker people are expecting, but it is a more rewarding watch.

Adapted from an award-winning manga, it tells the story of Shoya Ishida, a young boy who bullied Shoko Nishimiya, a deaf girl who just transferred into their school, alongside his friends to various degrees when he was in elementary. But when he ended up ratting out his behavior towards his friends, he becomes ostracized & bullied as well. Now that he’s in high school, he’s still an outcast. The pain & loneliness he feels causes him to make amends to his mother he troubled her when he was a kid & to apologize to Shoko before he commits suicide. However, when his plan fell apart, he decides to befriend her anyway, causing the people around Shoya & Shoko to explore what happened in the past in order to move forward.

The movie deals with heavy themes, but it’s neither soapy nor miserablist in the slightest. It’s a languid, tranquil movie intent on capturing the smallest details to create the biggest emotional impact; often using unbalanced compositions to emphasize the character’s isolation from his/her environment. Since this is made by Kyoto Animation, this is brought to life with beautiful, realistic backgrounds full of bright colors. The characters are animated with less realism, opting to emphasize their emotions. Whenever these characters smile, cry or just feel something, you can watch every movement of their face & body. Their eyes widen with glee, their bodies tremble when they are shaken & you can even see their teardrops falling from their eyes in such ridiculous detail.There are also moments of humor sprinkled throughout the movie; one of which is a smash cut that revolves around an innocuous reveal. Everything happens to try exploring its characters’ humanity while trying to dissect the effects of bullying Shoko, from Shoko & her family, the instigators, & those who stood by as it happened.

“Try” is the operative word there, because while it is sincere in its aims, adapting the whole story into a movie is not a good idea. It is crammed with so much plot that the movie is forced to either introduce it without giving those who have read the manga to care, rush these developments, or abruptly end it for the next one; which is counter-intuitive to its slow pacing. It also forces the movie to focus mostly on Shoya, nearly turning it into a movie about a guy redeeming for his previous sins, which gives us less time to spend on everyone, especially the deaf girl at the center of the story. The movie is aware that Shoyo might be trying to flatter himself, but it still doesn’t change the fact that the movie’s approach undercuts a lot of character development. It really would’ve been better as a two-hour anime.

Instead, what we have is a recap movie to a non-existing excellent season of anime. It still works thanks to its insights & attention to detail making sure that every emotional beat lands most of the time, but it’s hard not to think how great it would’ve been if we had been given more time to watch these characters facing up to the choices they’ve made in the past. Unfortunately, we don’t live in that universe, but at least we got a good movie from the manga here.