Movie Review: Changing Partners Evokes Genuine Heartbreak Regardless of Gender

TL;DR: Changing Partners successfully transitions from the stage to the big screen, keeping its clever concept & wounded, beating heart intact.

Changing Partners tells the story of Alex & Cris. Alex is a middle-aged, ambitious, hardworking manager, while Cris is young, unemployed, & ambitious, who is trying to figure out what to do in life in between working through part-time jobs & side jobs. Both of them are in a loving May-December relationship & cohabitating, with Cris taking care of the house & Alex supporting both of them financially. It’s not a perfect union, though. Alex is jealous of Cris’ close friendship with Angel, while Cris can’t stand how controlling Alex is. Their problems slowly boil until it becomes inescapable.

However, this story isn’t told as plainly as possible. Based from a stage musical of the same name that had its successful run in the PETA Theater Center, Alex are both played by Agot Isidro & Jojit Lorenzo, & Cris are both played by Anna Luna & Sandino Martin, with Alex & Cris partnered with different performers in four different ways based on their gender: a cishet female Alex & a cishet male Cris, a cishet male Alex & a cishet female Cris, a cis gay Alex & a cis gay Cris, & a cis lesbian Alex & a cis lesbian Cris.

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It’s a complicated conceit, & thankfully the movie slowly eases the audience in to avoid confusion, but once it does, it becomes a fascinating way to show how universal love is, & how their age & gender reveals the different power dynamics their relationship has & how it affects them. Alex & Cris clearly love & strengthen each other, but they have issues they need to address, which is often muddled by the age gap between them.

It helps that the transition from the stage to the big screen is seamless. The theatrical version has found a clever way to show the shift in perspectives – some of which you can view here – it feels much more at home in a movie, where a simple shot reverse shot could instantly change which couple we’re watching. The entirety of the whole movie is set in the confines of Alex’s house, yet it’s never claustrophobic. The camera follows their ordinary lives simply & unobtrusively, making it alive & grounded at the same time. The songs match the material’s tone, opting for a naturalistic lyrics & singing that makes it easier for their emotions to come across.

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The main quartet of performers are the same people who acted in the stage version, & not only does it make the movie the easiest way to view the musical for those of us who missed out on its original run, but the actors already mastered the material. It really shows, with each of the actors & actresses delivering strong performances. The performances for each role are consistent as well, so it isn’t jarring when the movie shifts from one couple to another. Jojit Alonzo & Agot Isidro both show Alex’s jealousy & aggressive behavior without making them offputting, & Anna Luna & Sandino Martin reveal how lost Cris is in the relationship without making them pathetic. All of them display the flaws of two people who were never on the same footing in the first place.

Changing Partners reveals the universal truth that love has no boundaries. In the process of doing so, it shows the same can be said for heartbreak. Demonstrating this truth by using an ingenious conceit makes it easier to unveil its sincere, wounded heart.

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Metro Manila Film Festival 2017: All of You Focuses Too Much on the Rut

TL;DR: All of You could’ve been a layered examination of cohabitation or a slow breakdown of a mismatched couple, but it gets too dour & repetitive to make it work.

Two years after breaking off with her fiance, Gab (Jennylyn Mercado) tries online dating for the first time while researching for a business venture in Taiwan. She matches up with Gabby (Derek Ramsey), a businessman on vacation who co-owns a bar called “Neverland” with his friends. They’re both attracted to each other & quickly hit it off after their first date, continuing to see each other in the Philippines for months. When Gabby asked Gab to move with him – even though their relationship is so young they’ve only been together for less than a year – she agrees, but what they didn’t expect is how living together would be harder than they thought.

This isn’t unfamiliar territory for Dan Villegas, who continues to mine mature stories out of couples trying to navigate the modern world without breaking themselves apart. It starts out with so much promise, with Dan Villegas, Melissa Mae Chua, & Carl Chavez showing off their ability to create realistic, engaging dialogue between two people falling in love. As usual, Jennylyn Mercado & Derek Ramsey are irresistible as a couple, whose romantic sparks just fly off the screen, but this time, they have more intimate scenes compared to their previous movie English Only, Please that further their bond.

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But once they start living together, the movie slowly reveals how incompatible they are for each other, their personalities & habits clashing frequently. This would’ve made for a fascinating romantic drama about the pleasures & pitfalls of cohabitation, but the movie slightly shifts its focus at how their inability to compromise & match their priorities will slowly erode whatever love they have for each other. The movie presents this descent with the same grounded tone Villegas is known for. Jennylyn Mercado & Derek Ramsey get a chance to stretch their acting chops as a couple trying to hold onto their relationship, even as their frustrations get the better of them. And throughout the movie, Dexter dela Peña’s simple yet eye-catching compositions shine through.

Unfortunately, it focuses too much on the descent. The whole movie turns into a bleak look at the main couple, without offering any respite from the doom & gloom, that whatever pleasures or insights that can be gleamed are drowned by its bitter, repetitive tone. Not too mention it ends on a false, abrupt note that, while plausible, feels like it shrugged off everything that happened during their relationship since we weren’t privy to the changes that happened leading up to it & it’s a betrayal of what the movie is about: love just isn’t enough to make a relationship work. Just like its central couple, the individual elements surrounding All of You could’ve made it great, but it just doesn’t add up to a satisfying whole.

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