Movie Review: The Write Moment is a Clever, If Slight Exploration of Pinoy Rom-Coms

TL;DR: The Write Moment is a goofy, enjoyable riff on romantic comedies that doesn’t explore the darkness of its premise.

Releasing The Write Moment in the current climate feels perfect. Audiences are more savvy about the established formula of hugot romantic comedies, & are more willing to watch romantic films that are more introspective & mature than the usual fluffy fare, which means now would be the perfect time to release a film that explores the genre’s tropes. While The Write Moment aims to riff on this beloved genre & examine our attraction to it, it fails to live up to its expectations.

Dave (Jerald Napoles) is a wedding videographer who aspires to be a writer. After his longtime girlfriend Joyce (Valeen Montenegro) dumped him, he tries his best to woo her back, which includes writing a hugot romantic comedy. Due to unknown reasons, he’s forced to live out the script he wrote verbatim, or else he’ll be stuck in an endless time loop.

It’s a film that positions itself between the cheery romantic comedies people are familiar with & the more thoughtful romantic dramas that have become popular nowadays. It’s a goofy, Groundhog Day-esque riff to explore the artifice of romantic comedies & how Dave’s inability to move on becomes a literal force he has to reckon with. His hacky script is unrealistic with how humans are supposed to interact, so now he has to find a way to achieve what’s written in order to move forward.

It’s a clever & playful conceit with troubling implications & it’s disappointing The Write Moment doesn’t explore them. There’s a darker movie to be made here about Dave’s selfish impulses & this magical scenario has put him in control of other people’s lives, but the film chooses to elide this in favor of a story about moving on from a break-up. It’s still an enjoyable romantic comedy that never loses its charms until the end, & both Jerald Napoles & Valeen Montenegro prove they both deserve to break out of supporting roles they’re usually given, but the whole movie ends up feeling more modest than it should’ve. The Write Moment may have come at the right time, but it doesn’t take advantage of it.

 

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Mr. & Mrs. Cruz & How We Define Happy Endings

Contains spoilers for Mr. & Mrs. Cruz. If you’re looking for a spoiler-free review, you can read it here.

Romantic comedies carry a lot of expectations about what kind of movies they’ll be. They will almost always feature two young, gorgeous people who, slowly but surely, will fall in love & get the happy ending they deserve; both of whom will presumably have a happy relationship once the credits roll. It’s a formula that works for a good reason: It’s fun, escapist, somewhat idealistic entertainment & there’s nothing wrong with that.

Mr. & Mrs. Cruz seems like it would be a traditional romantic comedy updated for current audiences. That’s not a problem, because it’s a masterful execution of the genre thanks to Sigrid Andrea Bernardo & the lovely performances from Ryza Cenon & JC Santos. But the movie has more in its mind, pushing beyond its initial premise that somehow makes it more human & fanciful at the same time.

Both Raffy (JC Santos) & Gela (Ryza Cenon) have valid reasons to get away from the city & take a tour of Palawan. Initially we’re only told that Raffy finds a letter from her fiance breaking off the engagement with the ring near it before the wedding, while Gela hugs her wedding dress, clearly dreading the idea of going through the wedding. But once they both start drinking at a bar after a day of bonding together, they finally share the reasons why they took their vacation. Raffy’s fiancee left him at the altar after being with him for three years, while Gela left his husband after they got married for three months; whom she’s been with for eight years. Raffy is still wounded by this, especially since he proposed to his fiancee on Palawan three years ago. Gela feels hurt & guilty for leaving her husband, who gave her everything she wanted when they were together for eight years; even if she needed to do so because she’s losing herself in their relationship.

Their drunken, hilarious, heart-to-heart talk helped them gain a mutual understanding on one’s heartbreak. Raffy now understands why her fiancee left, while he assures Gela that she did the right thing. This leads to the couple trying to make out while completely wasted on alcohol, which ends with Gela puking on Raffy, Gela trying to find Nemo of Finding Nemo in her vomit, & feeding some of it to Raffy, a disgusting but hilarious ending to their fun, heartfelt night.

After they’ve woken up & had a contentious misunderstanding about last night’s events, it’s clear that they’ve become even closer & more enamored of each other. They are freed from their issues thanks to one another. When they found out that the tour they joined left them, they decide to explore the sights of Palawan together. It even inspired Raffy to show Gela a video of his engagement from his ex-fiancee & delete it afterwards. Gela is shocked to find out that Gela & her ex-husband were also in Palawan back when they weren’t married when Raffy proposed to his ex-fiancee. She decides not to tell him, as they continue to enjoy each other’s company.

It’s at this point you’d expect the movie to end, with both of them presumably having a long, happy relationship after they leave the island. Why couldn’t it? They’re clearly in love, they comforted & supported each other, & the movie even implies that they’re destined to be together.

But Gela doesn’t want to pursue a relationship with Raffy. She thinks they’re both at different points in their life, & they need more time to find their place in the world. Even she finds their whole situation to be unreal, commenting that it’s something out of a romantic comedy. And she thinks they might see each other someday. Raffy asks her to reconsider & trade contact details, but she declines, leaving him alone in Palawan. After she left, Raffy finds her copy of Romeo & Juliet. He opens it & reads her parting message, with her incomplete cellphone number scribbled in the book’s first page. He also finds a picture of Gela, ripped from a photo taken by the newlywed couple who joined their tour.

It’s an ending that is at odds with itself, falling outside of the typical “happy ending” demanded by the genre while embracing the tropes of the genre. However, it makes complete sense. While their story has the makings of a fantastic romantic-comedy – and I’d agree because the movie is fantastic – they still have a lot to work on. Both of them still need to figure out what to do next; especially Gela, who’s trying to learn who she is after staying in a relationship for eight years. Staying together would worsen whatever hangups they have. Finding someone to love & reciprocates that feeling may be the usual conclusion we get in romantic comedies, but Mr. & Mrs. Cruz suggests that prioritizing our self-improvement is more important. Maybe after we find ourselves, it’ll be easier to find the “happy ending” we deserve.

Movie Review: Mr. & Mrs. Cruz is a Hilarious, Resonant Tale About Moving On

TL;DR: Mr. & Mrs. Cruz embraces the genre’s tropes & executes them masterfully, but it becomes more heartfelt once it leaves them behind.

It should be obvious from the trailers that Mr. & Mrs. Cruz is another hugot-infused “Before Sunrise” riff in a picturesque locale that’s sure to inspire lots of swooning romantics & broken-hearted cynics to go soul-searching on Palawan to find themselves. It’s a formula on the verge of becoming banal & repetitive, as numerous Filipino movies have used the template by the influential That Thing Called Tadhana (That Thing Called Destiny), but riffed on it in different ways. The latest movie from Sigrid Andrea Bernardo, the director of Ang Huling Cha-Cha ni Anita (Anita’s Last Cha-Cha) & the highest-grossing Filipino indie Kita Kita (I See You), might lean closer to the formula compared to others, but it’s done brilliantly, while coming up with its own ideas.

Gela Cruz (Ryza Cenon) & Raffy Cruz (JC Santos) are two tourists who went to Palawan in order to find themselves on their own after both experienced a wedding-related snafu. Neither of them have met before, but people keep confusing them for a married couple thanks to their similar, yet ridiculously common surname; including an old couple celebrating their golden anniversary & newlywed couple who are grouped with them in the tour. At first, they try their best to stick to their plans of enjoying this trip alone, but they easily hit it off; even if they had a huge fight about the importance of marriage. What they slowly realize is they each have something to impart that will help them move past their heartbreak.

What makes Mr. & Mrs. Cruz stand out from the rest is how it sharpens the film’s elements at its most effective. The movie mostly sticks with Gela & Raffy for the rest of the movie talking to each other, & it never grinds to a complete halt. Bernardo has always had a great ear for memorable dialogue & that quality shines through. The conversations Gela & Raffy have range from the silly, mundane, & hugot-related, but it’s always witty & engaging. They’ll be riffing on the implications of eating El Nido soup, how Romeo & Juliet isn’t aspirational once you look at it during adulthood, & their heated exchange about the need for marriage. Even those outside Gela & Raffy are amusing & memorable, giving the main couple a chance to interact with others. It isn’t above indulging in scenes outside its grounded tone if it will lead to something remarkable, including a funny gag involving dry-fit shorts & moments of whimsy that’s one of Bernardo’s trademarks. All of it is stirkingly shot, capturing how Gela & Raffy are slowly becoming closer to each other from the exquisite beaches of Palawan to its clean hotel rooms.

But the movie wouldn’t work without Ryza Cenon & JC Santos at its center. Their initial awkwardness quickly give way to a comfortable looseness they easily exude. It’s so enthralling to carry themselves well to Bernardo’s snappy dialogue. JC Santos is more aggressive & slightly reckless as Raffy, while Ryza Cenon is more composed as Gela, but willing to banter or fight back at Raffy’s repartee.

But starting from the night Raffy & Gela get drunk at a bar, it becomes clear Ryza Cenon is the instant standout. She becomes an emotional trainwreck as Raffy & Gela dig deeper about their issues. Cenon switches from laughing, drinking, crying, & laugh-crying while drinking, turning into a manifestation of a heartbroken id who drowns her sorrow with alcohol, but no matter how hard she tries, her broken heart always wins out; so she might as well have fun. JC Santos plays the much needed equally heartbroken, but more levelheaded drunken straight man, reacting to Gela’s ramblings while trying to make sure she’s safe. As they return to their hotel room, they reciprocate each others feelings in clumsy, awkward yet romantic fashion that inevitably turns into a literal mess.

Its heavy use of tropes appears to be purposeful though. Bernardo keeps propelling the narrative to something more emotionally true, even as it includes a twist that seems out of place. It’s a neat trick that makes it even more insightful & human. At the end, Mr. & Mrs. Cruz reveals what it truly is: a story of two people making sense of each other’s pain & sorrow.