Vince & Kath & James is Full of Formulaic Pleasures & Pitfalls

TL;DR: Vince and Kath and James is a sweet & fizzy confection from Star Cinema that almost rises above its predictability.

This article contains slight spoilers to Vince & Kath & James. It reveals the movie’s first half, but it doesn’t discuss the movie’s second half.

People often complain about formulaic, cliched movies, and with good reason. These movies are lazy, soulless, cynical cash grabs aimed at attracting the biggest audience possible without giving them something of value. Or at least a different experience.

Star Cinema’s romantic movies are often relegated to this category, because majority of their movies are manufactured from a very rigid template. A heterosexual love team, either a new or established pairing, who slowly fall in love, fall apart during the third act, & reunite just in time for the ending. The protagonists have best friends whose purpose is to advise them in their problems. Moments of kilig are scattered throughout the movie, whether if it’s done naturally or forced. Cornball lines are delivered that are written to be quotable. Don’t forget that it should always have a theme song. The studio may be trying to add other elements like hugot, family drama, & LGBTs into the mix so it won’t get stale, but they’ve never strayed away from their established formula.

But predictability does have its advantages. Formulas can help writers provide a solid foundation to their stories. And watching something predictable is akin toeating your favorite comfort food: It triggers your pleasure centers & you know exactly what you’ll get.

Comfort food is exactly what Vince & Kath & James aims to be and it mostly succeeds, which is a miracle, considering this is a Star Cinema romantic comedy adapted from an online series presented as a series of text messages, which itself is a version of Cyrano de Bergerac updated for millenials. This movie is very derivative in its core, yet it manages to rise above it.

It does this by fleshing out its characters & ensures that the whole Cyrano act is tied into something more than just a romantic farce. Vince (Joshua Garcia) has a crush on Kath (Julia Barretto) for a while, but he hasn’t had the guts to tell her. The only thing he does is constantly tease her, which she finds annoying, & write an anonymous blog dedicated to her where he writes pithy hugot lines. He lives with his cousin James (Ronnie Alonte), one of the best varsity players in their campus, because due to a complicated past related to his mother. James often depends on Vince to save from trouble, whether cozying up to James’ parents or making up excuses for James’ behavior or completely taking the blame for his problems. When Kath wins Miss Engineering, James sets his eyes on her & asks for Vince’s help to talk to her through text as a secret admirer, without knowing Vince’s feelings for her. Vince reluctantly agrees & soon finds himself courting the woman of his dreams for his cousin.

But Kath has her own set of problems. She’s a boyish student working on her uncle’s auto repair shop as a mechanic in order to provide for her mother & brother’s needs after her father left them for another woman. Her mother is still heartbroken about it. She also has a crush on James, but she hasn’t had the guts to tell him. When she gets these text messages, she is intrigued & she suddenly finds herself falling for her secret admirer. When she finds out it’s supposedly Vince texting him, she presents herself more as the woman who won Miss Engineering, instead of who she really is.

This setup works very well for the movie’s favor for many reasons. Kath’s personal life & act of deceit turns her more into an actual human being, instead of a woman who’s just pursued by two men. It gives her something to do besides being lied to. Vince’s complicated relationship with James & his family shows his behavior of staying behind the background & hiding his true self isn’t just an endearing quirk, it’s a way of life forced by the people around him & his insecurities.

Thankfully, a deeper dive to its characters doesn’t make for a serious movie; this is still a Star Cinema rom-com after all. The movie still maintains a bubbly vibe that’s very contagious. It captures the feeling of falling in love for the first time, with all the innocence, naivete & sweetness that comes along with it, updated for the millenial era. The characters may be in college, but it’s also endearing to see a group of people who are almost adults go through an adolescent version of love. Text messages & conversations through chat are displayed as though it were written in chalk, while our protagonists smile & let the kilig wash over them. No other scene epitomizes this more than a montage of Vince, posing as James, texting cheesy one-liners with Kath & bonding over Star Cinema’s Got 2 Believe to the tune of O Pag-ibig; a catchy, upbeat ode to the wonders of love.

All of these improvements would’ve been for nothing if not for the almost stellar trio. Ronnie Alonte is the weak link of the bunch, using his charisma to make up for his stiff & unnatural acting. It’s as if he was a robot built as the latest heartthrob by Star Cinema programmed to mimic an irresponsible playboy & failing completely. Julia Barretto is great as Kath, who delivers a lively performance that matches the movie’s tone. But Joshua Garcia is the obvious standout with his breakthrough performance. He’s completely charming as a Vince, playing the shy boy-next-door with ease & he’s able to give weight to his dramatic scenes. When Julia Barretto & Joshua Garcia are both onscreen, they have the kind of chemistry that can warm the coldest of hearts. It’s youthful love at its finest.

However, its insistence on following its formula is its biggest failing. It starts to fall apart in the third act, when it rushes towards its inevitable happy ending. While it does attempt to continue its nuanced take on such a tired premise, there’s a lack of space for these scenes to breathe. And the instigating incident that begins the movie’s third act is jarring & offensive for something this light.

Because in the end, formulas are only guides for filmmakers to generate stories, & it’s up to them to create something special out of it. Vince and Kath and James almost achieves this feat, but falls short on that. Disappointing as it may be, that doesn’t detract from its charms. It’s like eating a bowl of hot champorado on a cold, rainy day. It’s a simple, foolproof way to warm you up on the inside.